Public-Electronic is an exhibition about electronic art in public space. The exhibition presents documentation material, video, text, images and sound, of eight artworks, both realized installations and projects that are still on the drawing board. New technology has become a integrated part of contemporary art. In the same manner electronic art has also moved out into the public space. Here the art is competing with advertisements to catch our attention, in a space where the media noise is constantly getting higher. The exhibitions aim is to show that creative work with new technology also can be used outdoors, in public space and not only in art galleries and exhibition halls.

http://www.adk.lu.se/
http://www.electrohype.org/publicelectronic/index.html

De:Bug features an article about parasite.

Our proposal “Sonderzug” receives Gold at :output. “Obscuritat” is one of the featured finalists.

:output is a yearbook publishing the works of the best students in design from all over the world covering communication design, architecture, products, interaction design, moving image and photography. The book is a radar for future developments in design - both formally and conceptional. It is a sourcebook for professionals as well as for students and educators. Promoting the idea of “design thinking”, :output fosters the development of projects with a social, economical, ecological, political or cultural relevance.

http://www.inputoutput.de

Wired Magazine features parasite in an article about “the new crew of tech taggers.”
http://www.wired.com/wired/archive/13.12/graffiti.html

Bronze Award for Omnivisu from :output. The beautiful catalogue is designed by Julia Sophie Kuon www.juliakuon.de for http://oneone-studio.com/

»I was touched by the experience itself and also by how much the population of Berlin loved it: People stopped all night to look inside, watching their friend’s eyes transform the light tower into a face. For the people who were in the exhibition space inside the tower, the experience was totally different but touching nevertheless, whenever somebody looked into the kiosk, these gigantic eyes appeared in the space—like King Kong looking in.«
http://www.aiga.org/content.cfm/stefan-sagmeister-style-fart-language